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And Now For Something Completely Different

27/7/2018

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Guests number five, six, seven, eight, nine and ten.  These guests are people who are known to most in some guise or another, but to me, they are so very special.  They gave me my first real taste of what it felt like to truly belly-laugh at something, steered my sense of humour into the more surreal, but more than that, they remind me of time spent with my dad.
John Cleese, Michael Palin, Graham Chapman, Terry Jones, Terry Gilliam and Eric Idle.  Also known as Monty Python's Flying Circus.
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Many people will have seen the Python movies (Life of Brian, Meaning of Life, Holy Grail) even if they haven't seen the TV series, and I think most people use Python-isms in their everyday language, potentially without even realising it; such was the genius of this mob of miscreants.

All (bar Terry Gilliam) educated at Oxford or Cambridge and all incredibly intelligent, well-read and knowledgeable on a variety of subjects, and all equally as subversive as one another.

All of them falling in love with Beyond the Fringe at much the same time (Gilliam getting to see it when it went to Broadway) and all of them huge fans of The Goon Show (another beloved childhood memory of mine - my dad had them all cassette and I remember hearing him guffawing listening to it whilst I was falling asleep) and Spike Milligan's Q Series.  These inspirations along with several of them meeting on The Frost Report started in motion what was to be potentially one of the greatest comedy shows of all time.

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When I first saw Python, I assumed these hilarious and intelligent men were all really great friends, but this is not the case.  Cleese and Chapman met the first time after a Footlights audition; both reeling from embarrassment, went for coffee together.  John recalls that he really didn't like Graham at all, but that soon after that they began writing together and that dislike was forgotten.  Though I'm not sure it was forgotten forever.  Cleese eventually quit the Monty Python team, leaving the remaining 5 to complete the fourth and final series without him.  Terry Jones and Michael Palin didn't like Terry Gilliam at all the first time they met him - this is actually one of my favourite stories about their meeting - Gilliam had worked with Cleese previously, and when Gilliam asked Cleese to introduce him to anyone (anyone being the operative word!) in TV, Cleese obliged.  Gilliam walked into a meeting with the rest of the Python boys wearing a full-length Afghan coat putting Jones and Palin's noses out of joint.  Idle, on the other hand, saw something in Gilliam (and his coat) that he instantly warmed to.
Despite their ups and downs, their hideously small budget and a TV timeslot which meant there was always a distinct lack of viewers, they persevered and created something which has now gained cult status.  Who among us doesn't giggle thinking about Cleese and the Ministry of Silly Walks; Palin being knocked into the canal at Teddington Lock with a giant fish as part of the fish-slapping dance; Idle uttering the infamous "nudge, nudge, wink, wink, say no more"; Chapman dressed as a Colonel, cutting the sketches short before they've even begun due to their 'silliness'; Gilliam's truly wonderful illustrations; and Jones repeating the word 'Spam' a thousand times?  
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This sketch is actually (allegedly) the reason that we call email and internet rubbish, 'spam'.  I for one pretty much know the Dead Parrot sketch backwards, forwards and inside out.
In 1974 after 5 years and 4 series, the Pythons called it a day.  They did, however, go on to make their amazingly brilliant films; Holy Grail in 1975, Life of Brian in 1979, and The Meaning of Life in 1983.  All of them continued to work with each other in various ways, be it in movies such as Time Bandits, A Fish Called Wanda, Jabberwocky, The Adventures of Baron Munchausen or Brazil (some of these amongst my favourite films of all time) or with writing commitments.  

Sadly, a mere 6 years after The Meaning of Life came out, Graham Chapman passed away (died, went to meet his maker, was no more, ceased to be, became a late Chapman) from cancer.  Graham really didn't cope well with the life of a Python or with life in general.  He finally came out when he was 25, much to the surprise of his fellow Python members (not because they had an issue with him being gay, but because he was always the more rugged one; smoked a pipe, played rugby, climbed trees and mountains etc.), and was an alcoholic.  Being a "jovial drunk" (as Barry Cryer described him) it took a very long time for his illness to be discovered.  It was, finally, when they were looking for a missing script and Palin, looking in the small suitcase Chapman (or Gray as he was affectionately known) used to carry, found not only the script, but a very LARGE amount of vodka.  Chapman told Michael Parkinson, during a 1980 television interview that he was drinking 4 pints of gin a day.  He decided to sober up following the making of the Holy Grail and went cold turkey.

​The Pythons became incredibly popular among the rich and famous; apparently, Paul McCartney would cease recording in order that he could watch, and a fair amount of the budget for Monty Python and the Holy Grail was provided by Pink Floyd, Genesis and Led Zepellin.  Elvis Presley apparently loved the movie so much that he could quote the entire movie back to front.  He even used the immortal line "it's just a flesh wound" once when he broke his finger.
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I could wax lyrical about the Python lads for days on end; I truly love them all and I'm forever grateful for them because of all the joy and laughter they have and will continue to provide, not just to me, but to others.  I hope to be able to introduce my niece and nephew to them when they're older and I hope they give them the same mirth and merriment.

So, yes, I want the Pythons at my dinner party.  I want to hear more about their relationship; love, hatred, indifference.  I want to hear about Michael Palin's trips around the world, I want to talk to Terry Gilliam about art and his movies which I adore, I want to sing and play the guitar with Eric Idle, I want to force John Cleese to do a silly walk and do one of his amazing screamy rants, and I want Terry Jones to do his hilarious striptease with nipple and arse tassels.  If Graham Chapman could spend a bit of time too, I'd like him to just stop the whole conversation whilst dressed as a Colonel because it was all just too silly.
I'll leave you with a YouTube video of a small compilation of sketches and I'm off to eat a wafer-thin mint and tell my dog that he's not the Messiah, he's a very naughty boy.

Stay Hep, Cats
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Don't Make Me Over...

22/7/2018

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Earlier this week, I asked on social media if any of you would be interested in tutorials etc.  You seemed pretty keen, and I posted a little Instagram story of how I do my every day make up.  A lot of you watched (thank you!), so I thought I would post it here so you can look at it properly without the clock ticking!  

I will try to put together a timelapse style video of this also to post in the near future so you can see exactly how I apply everything.

​I start with a cleansed and moisturised face (I am in the process of putting together a post about the products I use, so stay tuned for that!), and once I've done my hair ready for the day, I start my make up.  Don't ask me why I do it like this, I just do...
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The first step for me is always to prime.  Even if I'm not going to wear any kind of foundation/tinted moisturiser, I like to use a primer just to smooth everything out.  I have quite pronounced pores on my nose and cheeks, so I like to fill them in and create the illusion of flawless skin.


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I discovered this Make Up Academy primer a little while ago, and fell a little bit in love with it!  This is my second pot, and I love it not only because it gives me the desired effect of smooth skin, but because a little goes a long way.  It lasts for ages!  Plus, it's super reasonable in the price department and cruelty-free, which is a massive plus for me.  I won't use any cosmetics or products that are tested on animals if I can help it.
Next step is base (and no, not the buttery biscuit kind sadly).  My everyday base is a BB cream which I love as it gives a nice level of coverage, provides SPF protection and is nice and light so I don't feel that I'm clogging up my pores (which as someone who suffered from severe adult acne and still gets breakouts is definitely important).  So, this Superdrug BB cream is my go to.
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Up next is concealer.  Not always needed, but when it is needed, it's REALLY needed!  While the one I use is mainly for under-eye, I do use it as well for covering up spots.  I also use a little dab on my nose as I find it quite good for bringing down the redness I have there.  It has a really lovely creamy texture and blends perfectly.  Like the primer, a little goes a very long way!  Sadly, I've just discovered this product has been discontinued, so I'm going to have to find something else to replace it! D'oh.
Up next is blush.  It's funny, that I spend time and effort covering up redness on my face only to add it back, but I love blush.  That slightly rosy-cheeked look is so flattering and also very vintage (which, if you didn't already realise, is the look I aim for!)  I love this MUA cream blush.
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Now the 'face' is done, I can move on to the eyes, so next up is brows.  If you all thought I was naturally ginger, you would sadly be mistaken.  I, therefore, need to create the illusion that my hair and eyebrows are actually the same colour...  Enter, Bleach London Louder Powder.  I'd been looking for the perfect shade of orange to use on my brows forever and then happened upon this on a lunchtime wander around Superdrug.  It was like choirs of angels were singing and all was suddenly right with the world.  It is very highly pigmented, so, like everything else, a little goes a long way.  I apply it using a small angled brush.  It's joyous.
Once my brows are on, I apply my eyeliner.  Eyeliner is the one thing I cannot and mean CANNOT live without.  If I had to go without all other makeup (and I would struggle to go without red lipstick as I basically run on caffeine and red lipstick) I could not give up my eyeliner.  This is the thing that makes me feel like me and gives me the 1950s look I aim for every single day.  Annoyingly, the eyeliner I've been using for the last I don't know how many years has been discontinued, and while I have found one which is almost identical (and well priced and cruelty-free), I'm absolutely gutted that I will have to say farewell to this Seventeen beauty staple.
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The next step is the mascara.  Another MUA special!  I'm fully obsessed with this brand!
The penultimate step is loose powder highlighter.  This is sometimes a step I forgo as it's not really essential, but I do love the effect it gives.  And, surprise, surprise, it's MUA again!
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The final step is lips.  I've worn red lipstick pretty much every day for the last 12 years and I have to say that Kat Von D Everlasting Liquid Lipstick is the best I have ever used.  Not cheap, but lasts an age.  It goes on smoothly, then dries so it is kiss-proof, drink-proof and eat-proof.  I can put it on in the morning and not have to touch up again for the rest of the day.  It's the best, and the packaging is stunning.
Once my lips are on, I feel completely put together (or as put together as one can) and can go to work feeling like I have one less thing to worry about!
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So there we have it, my every day make up.  It takes about 10-15 minutes to do it all (depending on how distracted I am in the morning either by social media, Duolingo [I'm using it to learn French at the moment] or the dog!) so all pretty straightforward.  I hope this was enjoyable and informative, and if anyone gets the band reference from the title, you get a gold star!

Stay Hep, Cats
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